Soundtrack to a Coup d’État 16 LPV
With the Congo independence as its backdrop, the film fuses the wave of African independence, the U.S. civil rights movement, the Cold War and the U.S. most unconventional weapon: Jazz.
Awards
Cleveland Int’l FF (2024) – Nominated: Greg Gund Memorial Standing Up Award
Docville (2024) – Winner: Jury Award: Best Belgian Documentary
IndieLisboa Int’l Independent FF (2024) – Nominated: Indiemusic Schweppes Award
San Francisco Int’l FF (2024) – Winner: Persistence of Vision Award
Sofia Int’l FF (2024) – Winner: Grand Prix: International Documentary Competition
Sundance Film Festival (2024) – Nominated: Grand Jury Prize: World Cinema – Documentary
Sundance Film Festival (2024) – Winner: World Cinema Documentary Special Jury Award: Cinematic Innovation
The Hague Movies that Matter Festival (2024) – Nominated: Grand Jury Documentary Award: Best Documentary; Camera Justitia Award
Thessaloniki Doc FF (2024) – Nominated: Golden Alexander: Film Forward Competition
Thessaloniki Doc FF (2024) – Winner: Audience Award: Film Over 45' – International Selection
Screenings – CT
Screenings – JHB
This densely hyperactive masterpiece of documentary filmmaking tells the story of how the CIA weaponised African American musicians without their knowledge, using their music and power as cultural ambassadors to extend American influence in Africa, particularly the resource-rich Belgian Congo—where Patrice Lumumba had just been assassinated under very dubious circumstances. With its beautifully controlled barrage of sounds, words, and images building a coherent narrative around the CIA’s use of African American culture to consolidate its soft power and fight Soviet encroachment and the independence movements sweeping the world, the jazzy freeform structure of Soundtrack to a Coup d’État perfectly reflects the music that drives it. Featuring many of the era’s key musical and cultural talents—from Miles Davis to Miriam Makeba to Nina Simone—the film provides a unique perspective on the 20th century and a scorching reproach to US foreign policy and the machinations of the West’s intelligence agencies.
Press
A thrilling, galvanising essay film… A remarkable film — exhaustive, informative and rigorously researched, but also crackling with energy, ideas and formal daring… Political history has never felt so energising and dynamically alive as it does here.
Meticulously researched and detailed… Instinctive and impressionistic in its storytelling… Grimonprez’s montage approach sets rapid-fire quotes and headlines to the movie’s era-appropriate jazz soundtrack, a testament to the artistry always at play beneath (or in spite of) the political context upon which the art is applied… A propulsive audiovisual experience… ‘Soundtrack to a Coup d’État” feels loose, snappy, free-flowing, almost improvised. A cinematic translation of jazz.
One of the “10 Best Movies From the 2024 Sundance Film Festival.”
I can’t stop thinking about the remarkable “Soundtrack to a Coup d’Etat” (by Johan Grimonprez)
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